GahYAY!

 

So today, I struggled mightily with a scene. It’s one of those scenes that need to be there (also known as the CHARACTERS EXPLAIN TO SOMEONE WHAT HAS HAPPENED IN THE LAST BOOKS SO THAT THE READER CAN ALSO CATCH UP scene).

In books like mine, there comes a point early where I have to state what is going on, what the rules (and Rules) are, and so forth. This is most easily done with a character who does not know WTF is going on, and so the reader learns along with her and in a way that is organic to the scene/story (and hopefully the dreaded INFODUMP can be avoided — I have not always done so successfully.) The best example? Charlie and Drifter. Charlie doesn’t know crap about the Guardians, so while she’s digging a bullet out of Drifter’s back, he tells her. I like that scene a lot. (I’ll put it at the end of this post.)

I’m a talky writer. I like to have my characters talk, especially if they are the main characters and we can get the romance/flirty/tension stuff going in the conversation, too. Sometimes, the worldbuilding comes out smoothly in the course of their discussions, even if both characters know what is going on (although it works best if both only know parts, so they piece it together). Unfortunately, sometimes it means that I end up in a room with talking heads … even if one of those heads doesn’t know WTF is going on.

I hate writing those scenes (usually put them in brackets and write them last, hoping that by some miracle I’ll get the info out another way and won’t have to write it) but sometimes — especially if the person with the information isn’t one of my POV characters, I can’t get around it. My main characters have to be told, and we have to listen. If I’m lucky, the scene is short.

Today, it was not. Well, it wasn’t long … but I was resisting every single word. I HATED IT. I had a character who didn’t know WTF was going on, and she’s going to be necessary to the story, so she isn’t a throwaway character for the sake of the scene, and she needs to be brought up to speed, but it was effing boring — especially since it had just come after an emotional fight between my hero/heroine. Then my hero stood around in an effing boring scene, so HE seemed boring. And I realized: okay, this cannot be.

So I had him move. And yes, he’s relaying all of the needed info as he’s moving, but now he’s relating it to everything/everyone he’s seeing, giving me a chance to introduce the setting and a few more characters, and it all pulls together when he runs into Khavi at the end of the scene … which is where DEMON BOUND left off.

And because I erased so much and started over, I probably won’t make my word count for the day … but thank goodness those stupid words are gone. In about a year, I hope you’ll be thanking me, too, for sparing you an effing boring talking heads scene, and giving you an Alejandro-stalks-broodily-through-SI scene instead.

Here’s that excerpt from DEMON NIGHT, when Drifter explains to Charlie the origin of the Guardians:

 

 

Ethan nodded. “I owe you some explaining.” He seemed to smile at her snort of agreement, though his lips didn’t move. But she saw it at the corners of his eyes, the slight lift of his brows. “And I’d be much obliged if you’d help me out while I’m doing it. How strong is your stomach?”

Blinking quickly didn’t make his question make any more sense. “What?”

“The bullet’s giving me some trouble, and it’s coming out too slow. I can’t protect you like I should if my arm don’t function when I need it. But if the bullet’s out, it’ll heal up quick and clean.”

It took her two more blinks. “You want me to get the bullet out of your back?”

“I reckon it’ll hurt like a son of a bitch if I go in through the front,” he drawled, and she closed her eyes, pressed her lips together. “Now, Charlie, don’t you start laughing and lose your mad, because if you’re angry it’ll be easier to use a knife on me. Though I must be all kinds of a fool, hoping you’re riled up before I give it to you.” He paused, and the drawl slipped away. “But only if you feel up to it, Charlie.”

That was the voice she’d heard from him the night on the roof. Still slow and long, as smooth and warm as a sip of scotch, but without an exaggerated flavor to it. “You’ll tell me who you are? What you are?”

“Yes. But we’d best do this in the kitchen.”

Charlie looked down at the pale rug, realized that they were moving to avoid staining it with blood, and wasn’t sure if she was up to it. But Ethan was already walking that way, so she hurried after him. He stopped just inside the kitchen, in front of a security panel. Light flooded the room.

And maybe her stomach wasn’t all that strong, because it began roiling when he laid a knife on the butcher-block island top and pulled a ladder-back chair in from the breakfast nook. He straddled it, crossing his forearms on the backrest.

She took a deep breath, stepped up behind him. The hole in his coat centered above his right shoulder blade. Charlie gingerly touched the skin showing through the tear. “Right here?”

“Yes.” His muscles shifted under her finger, and she looked up to see him tilting a black felt-tip pen her direction. “Mark it, so you won’t have to cut more’n once or twice.” He turned his head in profile to her, his brows drawing together. “That hole pisses me off more than getting shot, Charlie. I don’t have a talent for creating my own clothes, particularly something that fits me this well. You got that marked?”

“Yes.” She couldn’t say anything else. His jacket, suspenders, and shirt disappeared, leaving his broad shoulders naked and exposing tanned skin over long, rangy muscles. Her fingers itched to run the length of his back, from the short thick hair at his nape to the tight ridges of flesh hugging his spine and narrowing down to his waistband.

But she didn’t want to touch him like this.

The knife gleamed wickedly on the countertop.

“Forgive my blushes, Miss Charlie. I’m so awfully modest and bashful.” He grinned and rested his chin against the top of his shoulder, watching her sidelong. “And you’ll have to pardon any groaning I do. It’s not becoming a man to cry, so we groan real loud instead.”

 “I know you’re trying to make it better, Ethan, but you’re just freaking me out. Do you want a drink or something first?” She could make a drink, that would be nice and comfortable—

“I doubt Colin and Savi keep any around; liquor doesn’t do anything for me, in any case. Nor would medicine or painkillers. I’ll talk myself through it.”

And her, too, she hoped. “How deep is it?”

He rolled his shoulders, grimaced. “About two or three inches. Just dig in there until you hit lead and then use the tip of the blade to wiggle it on out.”

Oh, Jesus. “That doesn’t sound like a good plan.”

“It’s likely not, but—” He sat up straight, and his jacket was suddenly in his hands. He lifted the sleeve up from the rest of the bundle; from the wrist to the elbow, it was dark with blood. “That’s mine, Charlie. Nearly lost my hand to a demon. Now, I can reattach it, or wait until I return to Caelum and get a Healer to fix me up, or eventually grow another one—but next time it might be my head, and I can’t put that back on. And next time might be the moment I let the shield down around the house, because there’s no way for me to know if a demon’s waiting for us when the spell is up.”

Demons, spells, being constantly prepared to defend himself…Charlie could barely imagine life at that level or think in those terms.

But she had to now, didn’t she?

“All right. All right.” She shrugged out of her coat, tossed it onto the island. The ivory-handled knife was as cold as her fingers, and gooseflesh crawled over her body—but Ethan’s skin was smooth, as if he didn’t feel the chill in the air. “Do we need to sterilize this?”

“No. Just quick and deep, Charlie. And soon, before I turn yellow and embarrass myself.”

“Just hold on a second, Ethan. Jesus.” She thought his lips twitched before he turned, facing straight ahead. “I need a towel. Or five. You’ve got some of—”

A rainbow of her neatly folded hand towels appeared on the island.

“My tweezers, too.”

After a second, Ethan said, “They in something?”

“A brown makeup bag. It’s got a fleur-de-lis design all over the outside. Yeah, that one.” God. Just wiggle the bullet on out, Charlie. He was crazy. She wiped off the tips of the tweezers and laid them next to the towels. “Are you ready? You’d better start talking. You said you’re a Guardian—what does that mean?”

“You ever play DemonSlayer?”

“The video game? No.” She held the blade over the black circle she’d made on his skin. Just stabbing wouldn’t let her work in there; she needed an incision.

“Good, because it’s mostly bullholy fucking whoreson—!” His jaw clamped together and he dropped his forehead to his arms; his knee lifted and he slammed his boot against the floor.

Charlie felt the vibration in her feet, and she stared in shock at the deep wound she’d made, the blood pouring from it. She’d convinced herself it wouldn’t really hurt him. For God’s sake, he’d been shot and she hadn’t heard him complain about the pain, just the inconvenience. “Ethan—”

His voice was muffled against his arms. “Get in there, Charlie, or it’ll close up and you’ll have to do it again.”

He was right; it had bled hard the first second, but it was already slowing. She grabbed a towel and her tweezers. “Guardians?” she prompted.

“Yes.” He hissed when she probed the incision, and she thought she heard wood splinter. “You’ve heard about Lucifer and his rebellion in Heaven?”

“I think so.” She couldn’t see anything inside the wound, and looking at it was just making her sick; she closed her eyes and gently felt around for the bullet. She’d forgotten what a distinctive odor blood had. “Lucifer and his followers were turned into demons and thrown into Hell—but Lucifer decided to trick humans into wearing clothes instead of leaves, so he turned into a snake and made Eve eat the apple and then humans were eternally screwed.”

His back shook under her hand, like he was holding in laughter. “I don’t know if the snake and the apple is true—but the demons did begin tempting humans, and angels remained on Earth to stop them. Except it wasn’t long before humans started thinking the angels were gods, and the demons got almighty jealous.” He sucked in a long breath. “You’ll have to open it up again. Deep as you can. Poke around in there, Charlie. You don’t need to be gentle, because it’ll only hurt for a second—I can hardly feel the cut you made now. And you aren’t doing any damage.”

“Okay.” Charlie wiped the blood from her hands, the tweezers, then his back—cleaning the work space. “It’s all over your pants.”

“I’d take them off and sit here in my skivvies, but—sonofabitch.” He gripped his knees, the muscles and tendons in his hands and arms standing in sharp relief. “But I ain’t wearing any.”

He’d probably meant that to be teasing, instead of sounding like it had been ground between two jagged stones.

“Sorry,” she murmured, and swiftly got the tweezers going. When the steely tension in his back eased, she said, “So the demons were jealous?”

“Enough to wage another war against the angels. Only this time Lucifer had creatures from Chaos, a dragon and demon dogs and such, and they just about slaughtered the seraphim—that’s the angels—until humans began fighting with them. I felt it there, Charlie.”

“Yeah, I found it.” She bit her lip and held her breath as she carefully dragged the tweezers against the bullet, searching for the edge. “So the demons started killing people, too?” She made a frustrated noise in the back of her throat. “It’s slippery.”

“You’ll get it.” Her probing must have been hurting him; his thumbs were working circles on his thighs, though the rest of him was still. “Demons can’t kill humans—it’s against the Rules. No killing or hurting them, no denying them free will.”

“Why?”

“Used to be, they got dragged back to Hell by Lucifer, then Punished or destroyed.”

“Used to be?”

“The Gates are closed now. But that’s another story, Charlie, and not nearly so old. This one, the men who joined in the battle turned the victory back the angels’ way.”

“How?”

“One of them—Michael—killed the dragon.”

“Got it,” she breathed, and slowly began to draw the bullet out. She lost it, and fished back in, trying to work under it instead of squeezing this time. “Damn. It’s going to take a second, though. And then what?”

“And then the angels gave Caelum—their home—to Michael, gave him a Guardians’ powers, and left him to recruit others.”

“When did all of this— Oh, shit, here it is.”

The slug landed with a plop in her cupped hand, and she held it over his shoulder, grinning.

Ethan whistled low and picked up the mushroomed bullet between his thumb and forefinger. “A forty-four hollow-point—unfortunately, only the light cartridge behind it. If they’d used a Magnum round, it’d likely have punched right on through, made it all a bit easier for me.” The slug vanished, and he slanted a glance up at her. “Thank you kindly, Miss Charlie.”

The darkness of his lashes only made the impact of his amber eyes more intense, knocking the wind out of her. She swallowed, forced a reply. “Sure thing. Just give me another minute, and I’ll get you cleaned up.”

Herself, too. Blood covered her fingers, pooled in her palm. She didn’t want to look down and see how much was on her shoes and pants.

“It ain’t necessary, Charlie. I can…” The rest of it was lost beneath the sound of the faucet, and by the time she’d soaked a towel with warm water and lathered soap into it, he’d apparently decided to let her help.

His elbows were resting on the seat back, his posture easy, his booted feet flat against the floor. He tensed beneath the first swipe of the towel over his skin. His right boot slid back a couple of inches, his heel lifting, and she paused, remembering how he’d reacted on the first cut. But the incision had healed; only a four-inch pink line remained against his tan, and that was fading quickly.

The triumphant haze of getting through the operation without fainting was fading, too.

“That didn’t hurt, did it?” It wasn’t really a question. And now she recalled how he’d vanished the blood from her hands in the booth.

“Not a bit. I suspect there’s more hurting to come, though.”

She wasn’t so slow that she couldn’t interpret that. “Yet you’re still sitting here,” she said, and wiped another section of skin clean. Efficiently, though she was tempted to take her time, to make that hurt just a little worse—maybe even bad enough he’d want to relieve it.

“Well, Charlie, I just ain’t man enough to walk away when a pretty woman offers a warm bath.”

A dark emotion grabbed at her throat. She’d been pretty enough to kiss, too. And apparently pretty enough to get his dick hard, but she’d bet that if she walked around the chair and took any of that for herself, he’d push her away and tell her it was for her own good.

She let the towel drop to the floor. “But I don’t think I’m woman enough to keep nurturing a man who doesn’t need it.”

She backed up to the island, lifted herself up onto the wooden surface, and kept her hands clenched on the edge of the counter. Her fingers were screaming to do something, and she’d have done just about anything for a cigarette—anything but ask Ethan for one.

Even something as innocent as asking for her knitting seemed too much a giveaway of her hurt, so she just squeezed the wood instead.

Ethan’s gaze lifted from her hands to her face. “Charlie—”

“So you can fly, and heal fast,” she interrupted, because she sure as hell didn’t want to talk about anything else. Didn’t want to hear him say again that she was needy, or to think about how easily he saw into her.

Didn’t want to think about how simply knowing that she’d aroused him had created an ache that centered much lower—and was much warmer—than the one in her throat.

She was good at wanting things that she shouldn’t…and equally good at denying herself them.

Ethan watched her carefully as he stood. A blue cotton shirt appeared in his hands. “Yes. I can run quick enough a human can’t see it, lift a city bus if it needs to be lifted.”

A thin scar bisected his navel horizontally, rippled across the left side of his abdomen. She swung her legs out so that she had something to stare at besides his stomach. Her shoes were spotless; so were her pants. Considering how much blood had spilled, and how close she’d been to him, that was impossible. “And you make stuff disappear.”

“If I can get my head around it, I can store it. Blood doesn’t feel good, though.” He slid into his shirt, frowned at the length of the sleeves. He met her eyes again as he rolled up the cuffs. “If I have the opportunity, I choose to clean it off in the normal way.”

She didn’t know if that was an apology or an explanation, or just an excuse—but it helped that he offered one. “Do you drink blood?”

“No. Don’t eat, don’t drink, don’t sleep.”

“That must be nice,” she said.

“What’s that?”

“Not to need anything. Then it wouldn’t hurt so much when you didn’t have it.” Or when you had to give it up.

His lips tightened. “Well, the lack of sleep is more difficult than the others. Close your eyes, Charlie—I’m about to make new britches, and I don’t always get it right the first time.”

She did, but an image of his body appeared behind her eyes anyway. “Where’d you get that other scar?” Not as a Guardian—he’d said the one on his lip was from when he was human.

“Which?”

How many did he have? “Here.” She lifted the hem of her shirt a couple of inches and ran her finger in a quick line over her stomach.

She heard him swear lightly and fabric rip before he said, “A saloon in Cheyenne. I’d tracked…hell if I remember his name, but he’d swindled a nice bundle out of some society matron in New York. A little dude, and I never expected he’d pull a— Now, Charlie, what about that is so almighty funny?”

It took her a second to stop laughing, but she finally managed, “Dude?”

His voice suggested that he was smiling again. “Ah, well, a ‘dude’ back in my day was a fancy man who had no business being out west. And I’m decent now.”

Indigo denim jeans—not formfitting, but falling straight from his hips, like the old-fashioned Levi’s she’d seen miners wearing in pictures. His suspenders looped the length of his thighs, and Ethan had his head bent, working a metal button on his waistband through the end of the leather strap. His shirt was still unfastened, exposing a wide swath of skin. Dark hair roughened his chest, arrowed down the center of his stomach.

Nothing about that visual was decent; it embodied some kinky fantasy Charlie hadn’t even known she’d had. She picked up her makeup bag, began digging through it to distract herself.

“You tracked him—you were a cop?” Old Matthew hadn’t been wrong, after all.

He shook his head. “I was employed by a detective agency.”

“Like…like…” Dammit. “It starts with ‘P. ’”

“Pinkerton’s?” He glanced up from his buttons, and she nodded. “Similar to it, yes. I worked with Pinkerton’s for a spell, but they mostly wanted thugs to hassle unionizing workers. So I moved on to a smaller agency where I could be put to better use.”

She leaned to the side and turned on the faucet in the middle of the island, rinsing her tweezers. “You’re big enough to be useful as a thug.”

“But I’m more useful thinking like a thief and murderer.” His eyes narrowed. “What’s it with you and letters? ‘Starts with “P.”’”

“I remember the sound I associate with the thing easier than I do the actual word or name.” She kept her focus on her hands as she dried the tweezers and replaced them in the makeup bag. Hopefully, the threat of a unibrow would overpower the memory of where they’d been. “They teach you that in conservatory—mnemonic devices so that you don’t forget the lyrics, or where to come in. Except words don’t pull so easily for me. Not unless you set them to music.” She pursed her lips, finally glanced up at him, and was glad he wasn’t staring at her throat. “I can’t spell, either.”

“Hell, Charlie, ‘reckon’ and ‘ain’t’ trip off my tongue like I was born saying them, but the truth is, my ma would have whupped me something fierce if she’d ever heard me speak like this.” He smiled when she laughed, and it softened his face, as if mention of his mother had struck a sweet memory. His fingers began working up his shirtfront. “But it served me well to start, and I don’t figure I’ll stop anytime soon. My ma ain’t going to protest, at any rate—and I can sum up my human life by saying that I was born on Beacon Hill in 1854, where I learned to talk a certain way, but by the time I died thirty-two years later in a no-account Arizona town, I had speaking habits that would make my parents roll in their graves.”

That didn’t add up to as little as he claimed, but though she was curious, Charlie let it go. She didn’t like to talk about the details of her life, either. And when she did, she just twisted them up into barely believable stories.

Ethan had already heard several of them.

 

14 comments

1|

Well, I’m glad you got the scene the way you wanted it.

2|

Wow, nice scene — the one at the end of the post, I mean. And congratulations on getting past a difficult scene. I bet it’s a relief.

3|

That must have felt like a huge boulder was lifted off your shoulders. Good for you! :D
Or you could have had them talking to each other while they were naked to keep things interesting. :joker:

4|

I heart that scene. Ethan…YUM!

It’s funny, but you’d never know you struggle by the way the scenes/books turn out. =)

5|

That is very interesting about the brackets.

Anyway, congrats on getting it how you like! Or, thanks in advance.

6|

It is always hard for the writer to balance the needs of new readers (why things are they way they are? who are all these people? what are the relationships/history between them?) with those of long time fans, who know the answers to all of these questions.

Add to that not wanting to bring the narrative to a screeeeeeeeeeching halt while someone says, “Well, Bob, as you know…”

Kudos to you, Meljean, for handling it so well.

7|

Ugh, to the “as you know” conversations. Which is why I always like the WTF? character in there.

CJ – I use brackets quite a bit in the early parts of the story. Sometimes it means that I can’t find the right word, but I need to stop beating myself up at that moment and come back to it later. Other times, I need research and I’ll just put everything I bullshit in brackets to be looked up. Then there are scenes where I outline what needs to be done, but put the whole thing in brackets to come back to later. Not many scenes like that … but sometimes.

A current one:

“I was named a heretic and burned at the stake.” He could not suppress the irony in his tone.
[Alejandro’s background goes here.]

It’s not that I don’t know his backstory and couldn’t write it … but I’m not sure at that point if I want to put it there, or if it would come out just as well in another spot.

One thing I do feel sometimes is locked into the way something is written once I’ve written it. Not that I can’t revise … but that it’s harder for me to cut it out and to IMAGINE cutting it out once it’s there. So anything I’m not sure of — especially backstory and worldbuilding — can go into brackets without too much of a problem.

8|

Oh, thanks, I love that. Writing it sets it in stone, and brackets keep it fluid for you. Nice. I enjoy hearing about little techniques like that.

9|

Well, it can also get really ugly. Like, this is from an early version of Demon Moon:

He looked down at his hand. A silvery scar crossed his palm, a remnant of a blood-brother ritual he and his [best] friend, Anthony Ramsdell, had completed when they were boys. They couldn’t have known the sword they’d used had once belonged to the Doyen, who had killed a Chaos dragon with it.

Couldn’t have known that the dragon’s blood [imbued] its power in the metal of the sword, and some of that transferred to their blood. Tainted it.

An action for which he could never have anticipated the consequence; [but [nineteen years later], as a young vampire aware of his origins, he should have known better when he tried to perform a different–and apparently as harmless–ritual.]

In such things, appearances were almost always deceiving.

“A week,” he said.

“Did you have any extraordinary abilities before you were attacked by the nosferatu?” Lilith arched a brow. “Excepting your beauty, of course. Speed, strength?”

A slight smile pulled at his mouth. “No.”

“Did Ramsdell? Or your sister?”

“No.” His throat tightened. “Aside from…the way they went.”

[[Lilith and Hugh shared a warm look ], and Colin had to look away. No longer immortal–though certainly long-lived–they likely hoped for the same.]

So there’s quite a bit there I had to go back and fix, and by the time I’m at the end of the manuscript, it might take a week or more to go back and edit/caress everything into place. If that ends up being close to a deadline, the brackets can give me a false sense of security.

So if I get stuck in other places (a scene isn’t working right, but I can’t really justify walking away from the manuscript) one thing I do is search out those brackets and see if I can write through any of them. Sometimes, I realize I just need to cut out the sentence (like the last one in the example above) or I decide that the word is okay after all (I think I did use “imbue” in the final version).

Or I might be far enough ahead to say, “Okay, I DO need that background info there” and then write it in. So it’s nice to have that easily-searchable content that you know needs work and editing, for those times when it’s hard to move ahead.

10|

oh, so nerdily interesting. Now I want to see, for instance, what you used for the word [best] in the first sentence. Interesting that in this passage at least, it was largely around emotional attitudes.

Ha! I wrote that and then you put up that second example. That is really funny. Names and descriptions. It is really a smart seeming technique!

I suppose this helps your later self be your own editor, and I suppose a person is sometimes more in the mood to run through and construct a thing rather than caress it.

Whatever. It’s working!

11|

[cashier's counter] LOL. What is it, anyway?

12|

lol, I have no idea about cashier’s counter. I can’t remember now what I ended up using.

A lot of times I put emotional responses into brackets, just because I’m not always sure if that initial response is exactly what I want them to have … or if I want them to spell it out … or if I can find a better way to have them say it. Physical expressions, too, especially when I’m feeling that they’re becoming too repetitive.

13|

Oh, god. Now I’m just cracking myself up by looking through this. The current manuscript isn’t THIS bad:

[Auntie's sat between a [shop] and [shop], its colorful awning stretching over the sidewalk. It was a restaurant without pretension; though the food [was Bombay-based], an outline of the Taj Mahal surrounded the restaurant name. The décor was a mix of Bollywood and [x]. Nothing subtle about it, and it catered to anyone who wanted Indian fare and an atmosphere that screamed: foreign, exotic, and unreal. Unapologetically [kitschy] and only the food was authentic?]

[Music pounded] from the Jaguar’s speakers; he’d turned it on to cover the silence that had fallen between them–awkward for him, but apparently not Savitri. He’d hoped she would [grill] him on his latest obsession with [music style], but she’d only closed her eyes and leaned back against the headrest.

She looked at him when he lowered the volume, then frowned as he pulled over in front of the restaurant, double-parked beside a green sedan. “You aren’t coming in? No kiss for Nani?”

He watched her features carefully as he said, “I need to feed. Unless your kiss earlier meant that you’d [like to add yourself to the menu.]“

The last part was in brackets because it was a stupid line, and I knew it at the time.

Here, I just didn’t want to write the scene where Colin has to feed from another woman (because he had to be sexual with someone else.)

As if his soft question had been a command, her gaze unfocused. “Twenty-three years ago. I…dreamed of you. You came to me one night and I invited you up–” Her voice failed, and her cheeks filled with color. Blood, just under her skin. “It was a good dream.”

[He couldn't keep the smile from his lips.] A night of extraordinary pleasure from a stranger; he always became a drunken [hallucination] or a dream.

“And you’re still so beautiful.” A wistful note in her voice now, but she glanced down at her hands, not at him. His gaze followed hers. Age had not settled deeply on her fingers, but he could see the slight loosening of the skin, the veins more prominent beneath than a young woman’s would have been. “Will you come up again? I was supposed to go out–but he cancelled–and I ordered take-out instead. There will be enough for two. God knows I shouldn’t eat it all myself.”

[He agrees--goes up--kisses her--against the door--is thinking of Savi--her kiss--not even her shields down and the bloodlust eases...and the same as at Polidori's, left wanting her all the same. Her kiss evidence that she wanted him; not that there was any doubt of it. Obsession; she needed to give in soon--his control waning. Hugh and Lilith--free will, would not be an issue. Why was he accepting a substitute? Once she'd had a taste of the pleasure he could offer her, she'd not want to give it up; he just needed to make her want it more than she wanted her next breath. As he did .]

And this is when I don’t want to spend time looking up names or running through setting descriptions, because I want to get to the good stuff (character dialogue and interaction.)

And where was he now?

[he should have stood out -- description of restaurant--his reaction to it]

She frowned, then saw the table near the front window with a single teacup steaming on its surface–though no Colin. [name] stood at the [cashier's counter]; [Savi waited until she'd given a regular her take-out order before pointing to the table and lifting her brows. She smiled at the woman before she left; she was a regular, though looking rather dazed at the moment.] “Is that Colin’s table? British [white]?”

[name] grinned. “Handsome? Yes.”

Nani brought another take-out bag to the counter and clicked her tongue. “Did the [food/name] come for her order?”

“She said she fell asleep.”

“She makes too long a day, that one. And her divorce! So much stress. Is that all you are eating, naatin?” Nani shook her head at Savi’s soup bowl and disappeared back into the kitchen again.

Savi met [name's] [laughing gaze], and sighed. “I’ll be by the window if the phones get too crazy.”

It didn’t surprise her that Colin was sitting at the table when she turned around. His fingers curled around his teacup, his thumbs absently tracing the rim. Her bowl clinked against the sheet of glass protecting the crimson silk tablecloth. She kept her tone light. “You drank from one of our customers?”

["Hiding beneath the table was its own reprimand,"] he said easily. He looked at her soup and drew in a long breath. “What is that?”

“Mulligatawny.” She pushed her spoon into the thick soup. “[list of ingredients.] Not true Indian cuisine–they aren’t big on soups–but popular, so we make a meatless version of it.” She lifted her gaze to his, and smiled wryly. “The British are responsible for its creation, actually.”

“Our colonies did produce many a spectacular [concoction/fusion.]” His teeth flashed briefly; though he laughed and smiled openly in private company, he was careful to keep his fangs from showing in public. It was a shame, she decided; his mouth was incredible. Remembering how the sharp edges of his teeth had skimmed over her neck, she repressed a delicious shiver.

First drafts are really sad.

14|

Just read the article in Penthouse. :grin:

:bmww: